'The film portrays the anguish of the revolution not through scenes of protest and war, but through the frustrations of the artists trapped inside their house. Ladder to Damascus is a delicate film about the human condition, the need to dream and the role of hope in personal determination. As Malas concludes: “I don’t think that cinema is a way to politics, nor a political tool. Cinema is a letter from the sentiments of the characters in the film. It looks inside a person to transfer an idea or image to the viewer’s interior, to their sentiments as well.” ' [http://www.majalla.com/eng/2014/02/article55248552]
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